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Seite 113
William Paul assigns the shift to " virtual star status " of the makeup special- ist to the 1973 film The Exorcist ( 381 ) . 4 This distinction may be too simple . William Paul sees the aesthetic of disgust as a necessary condition for ...
William Paul assigns the shift to " virtual star status " of the makeup special- ist to the 1973 film The Exorcist ( 381 ) . 4 This distinction may be too simple . William Paul sees the aesthetic of disgust as a necessary condition for ...
Seite 38
The virtual equation of postcolonial with contemporary U.S. Studies , transnational studies , and sometimes even world studies , produces a considerable vagueness in the definition of the term " postcolonial . " In his introduction to a ...
The virtual equation of postcolonial with contemporary U.S. Studies , transnational studies , and sometimes even world studies , produces a considerable vagueness in the definition of the term " postcolonial . " In his introduction to a ...
Seite 44
“ Crosscurrents , Crosstalks : Race , ' Post- coloniality , ' and the Politics of Location . " Cultural Studies 7 ( 1993 ) : 292-310 . Glasberg , Elena . “ On the Road with Chrysler : From Nation to Virtual Empire . " King 154-70 .
“ Crosscurrents , Crosstalks : Race , ' Post- coloniality , ' and the Politics of Location . " Cultural Studies 7 ( 1993 ) : 292-310 . Glasberg , Elena . “ On the Road with Chrysler : From Nation to Virtual Empire . " King 154-70 .
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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