Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 110
... turn into an exchange if we recognize " Communism " to be a production of McCarthyism . Such equivalence is built into ... turns into the totalitarian zombie when a fixed signal is given ; then he or she instantly moves to perform pre ...
... turn into an exchange if we recognize " Communism " to be a production of McCarthyism . Such equivalence is built into ... turns into the totalitarian zombie when a fixed signal is given ; then he or she instantly moves to perform pre ...
Seite 19
... turns the pages of her book , an unseen hand simulta- neously turns the page of the giant book behind her . The resulting impression is that the video image has become a turning page . But even when Syntagma doesn't exploit this optical ...
... turns the pages of her book , an unseen hand simulta- neously turns the page of the giant book behind her . The resulting impression is that the video image has become a turning page . But even when Syntagma doesn't exploit this optical ...
Seite 129
... turns to Rauschenberg's early performative acts , blue- print - like imprints of human silhouettes ( Female Figure , 1950 ) or the tracks of the Model A Ford imprinted on strips of paper , driven by John Cage ( Automobile Tire Print ...
... turns to Rauschenberg's early performative acts , blue- print - like imprints of human silhouettes ( Female Figure , 1950 ) or the tracks of the Model A Ford imprinted on strips of paper , driven by John Cage ( Automobile Tire Print ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York