Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 82
... trauma of the accident and its violent erasure of his past . The allusion is also suggestively present in the filmmakers ' choice of soundtracks ; they use " Ring of Fire , " sung first by Johnny Cash ( as the car explodes ) and later ...
... trauma of the accident and its violent erasure of his past . The allusion is also suggestively present in the filmmakers ' choice of soundtracks ; they use " Ring of Fire , " sung first by Johnny Cash ( as the car explodes ) and later ...
Seite 28
... trauma would in this case have less to do with rewriting the traumatic event or replaying it in the role of active participant , than with repeatedly viewing the same images from a spectator's position until they become drained of their ...
... trauma would in this case have less to do with rewriting the traumatic event or replaying it in the role of active participant , than with repeatedly viewing the same images from a spectator's position until they become drained of their ...
Seite 29
... traumatic event in the role of active director rather than passive respondent , and thus both to temper the strength of the traumatic impression itself and to take revenge for ... trauma . It is in the register of the image Spring 2000 29.
... traumatic event in the role of active director rather than passive respondent , and thus both to temper the strength of the traumatic impression itself and to take revenge for ... trauma . It is in the register of the image Spring 2000 29.
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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