Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 21
... translation back and forth between the language of sensation and affection , on the one hand , and the visual on the other . In so doing , she makes clear that every translation effects a displacement — that there is no such thing here ...
... translation back and forth between the language of sensation and affection , on the one hand , and the visual on the other . In so doing , she makes clear that every translation effects a displacement — that there is no such thing here ...
Seite 95
... translation . The textual space of translation in Cuba Libre gives birth to a synthetic lingua franca in a transnational encounter whose " sounds " are both those of Guillén's original poema - son and Hughes " blues " translation . The ...
... translation . The textual space of translation in Cuba Libre gives birth to a synthetic lingua franca in a transnational encounter whose " sounds " are both those of Guillén's original poema - son and Hughes " blues " translation . The ...
Seite 108
... translation , the memories of Havana are exchanged for the memories specific to " Harlem . " How and to what extent does the common transna- tional memory of the Black Atlantic - deeper than nation - memory if we follow Gilroy ...
... translation , the memories of Havana are exchanged for the memories specific to " Harlem . " How and to what extent does the common transna- tional memory of the Black Atlantic - deeper than nation - memory if we follow Gilroy ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York