Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 53
... touch . . . . Vision corresponds to trans- parency and distance , touch to opacity and proximity " ( 131–132 ) . The blurred close - ups of bodily surfaces and shapes seen here by the viewer are akin to those she might see when ...
... touch . . . . Vision corresponds to trans- parency and distance , touch to opacity and proximity " ( 131–132 ) . The blurred close - ups of bodily surfaces and shapes seen here by the viewer are akin to those she might see when ...
Seite 67
... touch the image projected on the screen the way Judith and Joseph touch their photographic images , his / her perceptual engagement with the film is equally mediated by the screen - surface . Yet , neither the absence of carnally ...
... touch the image projected on the screen the way Judith and Joseph touch their photographic images , his / her perceptual engagement with the film is equally mediated by the screen - surface . Yet , neither the absence of carnally ...
Seite 79
... ( Touch Cinema ) 6 substituted a darkened theatre for the artist's own shirt . Export , in a wooden box , wandered city streets , providing passersby with the opportunity to feel her breasts through a curtained hole in the front of the ...
... ( Touch Cinema ) 6 substituted a darkened theatre for the artist's own shirt . Export , in a wooden box , wandered city streets , providing passersby with the opportunity to feel her breasts through a curtained hole in the front of the ...
Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film Guillén hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look means memory Michigan movement narrative notes object once original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship represent representation scene Second seems seen sense sequence sexual shot side social space Spanish story Studies suggests suture theory things thought tion touch translation turn understand University visual voice woman writes York