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Seite 53
Transparency facilitates vision , while opacity impedes vision's course , its materi- ality seeming to invite the touch . . . . Vision corresponds to trans- parency and distance , touch to opacity and proximity " ( 131–132 ) .
Transparency facilitates vision , while opacity impedes vision's course , its materi- ality seeming to invite the touch . . . . Vision corresponds to trans- parency and distance , touch to opacity and proximity " ( 131–132 ) .
Seite 67
Even though the spectator does not literally touch the image projected on the screen the way Judith and Joseph touch their photographic images , his / her perceptual engagement with the film is equally mediated by the screen - surface .
Even though the spectator does not literally touch the image projected on the screen the way Judith and Joseph touch their photographic images , his / her perceptual engagement with the film is equally mediated by the screen - surface .
Seite 79
Export's 1968 “ expanded cinema " work Tapp und Tastkino ( Touch Cinema ) 6 substituted a darkened theatre for the artist's own shirt . Export , in a wooden box , wandered city streets , providing passersby with the opportunity to feel ...
Export's 1968 “ expanded cinema " work Tapp und Tastkino ( Touch Cinema ) 6 substituted a darkened theatre for the artist's own shirt . Export , in a wooden box , wandered city streets , providing passersby with the opportunity to feel ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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