Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 53
... touch .... Vision corresponds to trans- parency and distance , touch to opacity and proximity " ( 131–132 ) . The blurred close - ups of bodily surfaces and shapes seen here by the viewer are akin to those she might see when intimately ...
... touch .... Vision corresponds to trans- parency and distance , touch to opacity and proximity " ( 131–132 ) . The blurred close - ups of bodily surfaces and shapes seen here by the viewer are akin to those she might see when intimately ...
Seite 67
... touch the image projected on the screen the way Judith and Joseph touch their photographic images , his / her perceptual engagement with the film is equally mediated by the screen - surface . Yet , neither the absence of carnally ...
... touch the image projected on the screen the way Judith and Joseph touch their photographic images , his / her perceptual engagement with the film is equally mediated by the screen - surface . Yet , neither the absence of carnally ...
Seite 79
... ( Touch Cinema ) 6 substituted a darkened theatre for the artist's own shirt . Export , in a wooden box , wandered city streets , providing passersby with the opportunity to feel her breasts through a curtained hole in the front of the ...
... ( Touch Cinema ) 6 substituted a darkened theatre for the artist's own shirt . Export , in a wooden box , wandered city streets , providing passersby with the opportunity to feel her breasts through a curtained hole in the front of the ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York