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Seite 94
Montage with Images that Don't Exist : Interview with Artavazd Pelechian François Niney François Niney : The thing that characterizes your films is that they're composed like music . ... Artavazd Pelechian : I think that what you see ...
Montage with Images that Don't Exist : Interview with Artavazd Pelechian François Niney François Niney : The thing that characterizes your films is that they're composed like music . ... Artavazd Pelechian : I think that what you see ...
Seite 104
New wave horror film included literal recycling of films from the 1950s : not only Fly and Invasion , but also The Thing ( John Carpenter , 1982 ) and The Blob ( Chuck Russell , 1988 ) . This movement also showed symptoms of an ...
New wave horror film included literal recycling of films from the 1950s : not only Fly and Invasion , but also The Thing ( John Carpenter , 1982 ) and The Blob ( Chuck Russell , 1988 ) . This movement also showed symptoms of an ...
Seite 22
There is no such thing as a direct tactile experience . Touch is as encoded - and thus subject to interpretation and enculturation -as is the image . The epilogue to Syntagma reprises the opening sequence . Again , bare feet with red ...
There is no such thing as a direct tactile experience . Touch is as encoded - and thus subject to interpretation and enculturation -as is the image . The epilogue to Syntagma reprises the opening sequence . Again , bare feet with red ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look Love means memory Michigan movement narrative notes object original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship representation represents scene Second seems seen sense sequence sexual shot side social space Spanish speak story Studies suggests suture theory thing thought tion touch translation turn understand United University visual voice woman writes York