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Seite 12
nor from the representation of random objects in heaven or on earth , but from something that she explains to the viewer in ... Once the film is finished , I said to myself , so that's what it was : that again ” ( Akerman , Bordering ...
nor from the representation of random objects in heaven or on earth , but from something that she explains to the viewer in ... Once the film is finished , I said to myself , so that's what it was : that again ” ( Akerman , Bordering ...
Seite 50
not to weigh in on the debate about whether or not Brawley was telling the truth , but to analyze the media representations of the case in order to assess the ways that it plays into a process of national racial formation which draws ...
not to weigh in on the debate about whether or not Brawley was telling the truth , but to analyze the media representations of the case in order to assess the ways that it plays into a process of national racial formation which draws ...
Seite 95
Niney : Does this mean that you believe that , in our forms of representation , the image precedes the word ? ... Niney : The paradox is that in seeing your films , one discovers this possibility as an obvious fact , one that's been ...
Niney : Does this mean that you believe that , in our forms of representation , the image precedes the word ? ... Niney : The paradox is that in seeing your films , one discovers this possibility as an obvious fact , one that's been ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look Love means memory Michigan movement narrative notes object original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship representation represents scene Second seems seen sense sequence sexual shot side social space Spanish speak story Studies suggests suture theory thing thought tion touch translation turn understand United University visual voice woman writes York