Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 71
... Suture , which teases its audience with a " vision " of colorblind society . McGehee and Siegel conceived of Suture's main conceit in the early 1990s , working out of San Francisco at a time when California conservatives were laying the ...
... Suture , which teases its audience with a " vision " of colorblind society . McGehee and Siegel conceived of Suture's main conceit in the early 1990s , working out of San Francisco at a time when California conservatives were laying the ...
Seite 74
... suture ( that he is Vincent ) , and open up the counter - narrative of Clay's past . The film therefore acts out a resistance to cultural suturing , while it also effects a disruption of the audience's tendency to suture into the filmic ...
... suture ( that he is Vincent ) , and open up the counter - narrative of Clay's past . The film therefore acts out a resistance to cultural suturing , while it also effects a disruption of the audience's tendency to suture into the filmic ...
Seite 80
... suture " for film analysis . Oudart uses the term to describe the certain camera angles ( shot / reverse shot ) that serve to set spectators at ease , to allow them to suture over the unquiet sense that no one ( or some abstract ...
... suture " for film analysis . Oudart uses the term to describe the certain camera angles ( shot / reverse shot ) that serve to set spectators at ease , to allow them to suture over the unquiet sense that no one ( or some abstract ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York