Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 65
... standing and cheering at the Olympics . The moment of knowledge was suspended between the apparatus that enacted the ... stand- ing poised on the diving board with a visible bandage knowing what others would only come to know years ...
... standing and cheering at the Olympics . The moment of knowledge was suspended between the apparatus that enacted the ... stand- ing poised on the diving board with a visible bandage knowing what others would only come to know years ...
Seite 38
... stands in mid - shot with her face in profile , looking into a framed glass in which her reflection is visible . Suddenly , the mirror image begins to move independently , and starts to put on red lipstick , seemingly without Anna's ...
... stands in mid - shot with her face in profile , looking into a framed glass in which her reflection is visible . Suddenly , the mirror image begins to move independently , and starts to put on red lipstick , seemingly without Anna's ...
Seite 76
... stands fixedly over against , which has the character of object [ das Gegen - ständige ] . Repre- senting is making - stand - over - against , an objectifying that goes forward and masters . . . . In this fundamental certainty man is ...
... stands fixedly over against , which has the character of object [ das Gegen - ständige ] . Repre- senting is making - stand - over - against , an objectifying that goes forward and masters . . . . In this fundamental certainty man is ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York