Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 10
... spectator , where the Other is . The spectator ought to be a true Other , the cinema should not be a machine to embrace and absorb the spectator .... I think that in my cinema the spectator can never forget himself , so he cannot be in ...
... spectator , where the Other is . The spectator ought to be a true Other , the cinema should not be a machine to embrace and absorb the spectator .... I think that in my cinema the spectator can never forget himself , so he cannot be in ...
Seite 80
... spectators at ease , to allow them to suture over the unquiet sense that no one ( or some abstract , absent one ... spectator into a sympathetic identification with Clay while framing and disrupting his desires with Max's resistance ...
... spectators at ease , to allow them to suture over the unquiet sense that no one ( or some abstract , absent one ... spectator into a sympathetic identification with Clay while framing and disrupting his desires with Max's resistance ...
Seite 67
... spectator cannot go unnoticed . Even though the spectator does not literally touch the image projected on the screen the way Judith and Joseph touch their photographic images , his / her perceptual engagement with the film is equally ...
... spectator cannot go unnoticed . Even though the spectator does not literally touch the image projected on the screen the way Judith and Joseph touch their photographic images , his / her perceptual engagement with the film is equally ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York