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Seite 95
... gives them a meaning - mon- tage at a distance , in keeping apart two shots that speak to each other and have meaning , transmits their tension and makes them speak to each other across the whole chain of shots that links them .
... gives them a meaning - mon- tage at a distance , in keeping apart two shots that speak to each other and have meaning , transmits their tension and makes them speak to each other across the whole chain of shots that links them .
Seite 119
( 80–81 ) Sommer here situates her reading public , her critical imaginary , as the Anglo - American English - speaking academician who believe that a work can be unproblematically situated in a comparative literature context , where ...
( 80–81 ) Sommer here situates her reading public , her critical imaginary , as the Anglo - American English - speaking academician who believe that a work can be unproblematically situated in a comparative literature context , where ...
Seite 8
Speak , Body Kaja Silverman Valie Export's 16mm film , Syntagma ( 1983 ) begins with a shot of two female hands forcing a space open between two strips of celluloid . The feminine real seems to be asserting itself over and against the ...
Speak , Body Kaja Silverman Valie Export's 16mm film , Syntagma ( 1983 ) begins with a shot of two female hands forcing a space open between two strips of celluloid . The feminine real seems to be asserting itself over and against the ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film Guillén hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look means memory Michigan movement narrative notes object once original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship represent representation scene Second seems seen sense sequence sexual shot side social space Spanish story Studies suggests suture theory things thought tion touch translation turn understand University visual voice woman writes York