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Seite 83
lens and the stationary camera to move the viewer through space , Export's piece marks her own body's movement in time , making it an analog to film movement . In so doing , Adjoined Dislocations aligns the usual invisibility of the ...
lens and the stationary camera to move the viewer through space , Export's piece marks her own body's movement in time , making it an analog to film movement . In so doing , Adjoined Dislocations aligns the usual invisibility of the ...
Seite 84
The body inside Adjoined Dislocations moves toward , away from , and through a space , and in doing so becomes itself a function of that space . Export describes this process as follows : In this way " what is demonstrated is not only ...
The body inside Adjoined Dislocations moves toward , away from , and through a space , and in doing so becomes itself a function of that space . Export describes this process as follows : In this way " what is demonstrated is not only ...
Seite 29
Modernity ” implies also the colonization of space and the making of the colonial difference . " Modern times " and " Western Space " were the limits of a space of enuncia- tion that in the name of Christianity ( remember , Japhet in ...
Modernity ” implies also the colonization of space and the making of the colonial difference . " Modern times " and " Western Space " were the limits of a space of enuncia- tion that in the name of Christianity ( remember , Japhet in ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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