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Seite 73
As she inserts herself ( sutures herself ) into the social discourses around her , she no longer speaks . Instead , she allows herself to be spoken ( Silverman , The Subject 196 ) . This process is not without its psychic dissonance ...
As she inserts herself ( sutures herself ) into the social discourses around her , she no longer speaks . Instead , she allows herself to be spoken ( Silverman , The Subject 196 ) . This process is not without its psychic dissonance ...
Seite 88
American capitalism and Western individualism potently combine to enforce the right to suppress social transition with the threat ( or reality ) of violence . Traces of this threat run throughout the film , most subtly in Lt. Wiesman's ...
American capitalism and Western individualism potently combine to enforce the right to suppress social transition with the threat ( or reality ) of violence . Traces of this threat run throughout the film , most subtly in Lt. Wiesman's ...
Seite 19
When it comes to social control , and more specifically , to the type of social control enacted by coloniality ( and the coloniality of power ) , it is very important to remember that although the State " appropriates " language ...
When it comes to social control , and more specifically , to the type of social control enacted by coloniality ( and the coloniality of power ) , it is very important to remember that although the State " appropriates " language ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film Guillén hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look means memory Michigan movement narrative notes object once original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship represent representation scene Second seems seen sense sequence sexual shot side social space Spanish story Studies suggests suture theory things thought tion touch translation turn understand University visual voice woman writes York