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Seite 6
To take sides is to be perfectly deceived by the cynical and secret reasons of this war that are profusely and on all sides masked by the ideological , in- tellectual , and humanitarian commentaries . To wipe out Milosevic ?
To take sides is to be perfectly deceived by the cynical and secret reasons of this war that are profusely and on all sides masked by the ideological , in- tellectual , and humanitarian commentaries . To wipe out Milosevic ?
Seite 27
The alternate obtrusion and disappearance of objects in Anna's images situates invisibility and activity on the side of the spectacle , rather than behind the lens . Export's film speculates about the psychical and political ...
The alternate obtrusion and disappearance of objects in Anna's images situates invisibility and activity on the side of the spectacle , rather than behind the lens . Export's film speculates about the psychical and political ...
Seite 115
Upon the island , a human and a more powerful world exist side by side in a sort of stable , ever newly ... The gigantic gate found there is only opened for one act , which renews the balance between both sides : the sacrifice of a ...
Upon the island , a human and a more powerful world exist side by side in a sort of stable , ever newly ... The gigantic gate found there is only opened for one act , which renews the balance between both sides : the sacrifice of a ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film Guillén hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look means memory Michigan movement narrative notes object once original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship represent representation scene Second seems seen sense sequence sexual shot side social space Spanish story Studies suggests suture theory things thought tion touch translation turn understand University visual voice woman writes York