Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 6
... side of the universal and who is on the good side . . . . We Westerners are on the good side of the universal . Honor to those who fell to the bad side . Honor , and not compassion . No compassion for the victims , but no pity for ...
... side of the universal and who is on the good side . . . . We Westerners are on the good side of the universal . Honor to those who fell to the bad side . Honor , and not compassion . No compassion for the victims , but no pity for ...
Seite 27
... side of the disempowered spectacle , and men on the side of the mastering look , by getting on the other side of the camera . I suggest , however , that the film is ultimately more concerned with what happens when the pho- tographic ...
... side of the disempowered spectacle , and men on the side of the mastering look , by getting on the other side of the camera . I suggest , however , that the film is ultimately more concerned with what happens when the pho- tographic ...
Seite 115
... side by side in a sort of stable , ever newly stabilized tension . Where both meet , they are also divided , by the violent log wall of the native village . The wall was erected a long time ago . This border , the film gives us to ...
... side by side in a sort of stable , ever newly stabilized tension . Where both meet , they are also divided , by the violent log wall of the native village . The wall was erected a long time ago . This border , the film gives us to ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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