Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
Im Buch
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Seite 25
... shot described above bears a resemblance to the opening shot of Alfred Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) : 25–45 . Copyright ...
... shot described above bears a resemblance to the opening shot of Alfred Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) : 25–45 . Copyright ...
Seite 35
... shot replicating the mise - en - scène of the initial plaza view , but this time Anna's contorted figure appears lying in the foreground . In the next shot , however , Anna's figure has suddenly been replaced by a life - size , black ...
... shot replicating the mise - en - scène of the initial plaza view , but this time Anna's contorted figure appears lying in the foreground . In the next shot , however , Anna's figure has suddenly been replaced by a life - size , black ...
Seite 43
... shot of a hand tearing a photograph , whose content is difficult to discern , before the closing credits appear . The repetition of the tracking shot from the beginning of the film provides an appropriate conclusion to the film ...
... shot of a hand tearing a photograph , whose content is difficult to discern , before the closing credits appear . The repetition of the tracking shot from the beginning of the film provides an appropriate conclusion to the film ...
Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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