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Seite 25
Valie Export's Invisible Adversaries ( Unsichtbare Gegner ) opens with a lengthy tracking shot that begins in an apartment building bedroom where a woman named Anna lies asleep . In this shot , the camera backs slowly through the ...
Valie Export's Invisible Adversaries ( Unsichtbare Gegner ) opens with a lengthy tracking shot that begins in an apartment building bedroom where a woman named Anna lies asleep . In this shot , the camera backs slowly through the ...
Seite 35
A cut brings us to a shot replicating the mise - en - scène of the initial plaza view , but this time Anna's contorted figure appears lying in the foreground . In the next shot , however , Anna's figure has suddenly been replaced by a ...
A cut brings us to a shot replicating the mise - en - scène of the initial plaza view , but this time Anna's contorted figure appears lying in the foreground . In the next shot , however , Anna's figure has suddenly been replaced by a ...
Seite 42
After Anna has returned home from the theater , we return to a medium shot of her bedroom , the mise - en - scène of which has become a familiar view in the film . Before climbing into bed , though , Anna puts on a pair of boots and a ...
After Anna has returned home from the theater , we return to a medium shot of her bedroom , the mise - en - scène of which has become a familiar view in the film . Before climbing into bed , though , Anna puts on a pair of boots and a ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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