Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 49
... sense . I have argued that the suggestion that a history of black victimization has predisposed a large segment of the African- American population to believe any claim of racism is itself racist , since it presupposes an inability and ...
... sense . I have argued that the suggestion that a history of black victimization has predisposed a large segment of the African- American population to believe any claim of racism is itself racist , since it presupposes an inability and ...
Seite 57
... sense of worldness that enabled Louganis's revelation of AIDS to take on a tone of potentially catastrophic doom even as the facts proved the projected fears groundless . “ Secrets " provided a sense of history re - enacting and re ...
... sense of worldness that enabled Louganis's revelation of AIDS to take on a tone of potentially catastrophic doom even as the facts proved the projected fears groundless . “ Secrets " provided a sense of history re - enacting and re ...
Seite 53
... senses at once.6 Thus , even though a more conventional understanding of voyeurism continues the long Western tradition that gives primacy to the sense of vision , it is important to demystify this primacy and instead to emphasize the ...
... senses at once.6 Thus , even though a more conventional understanding of voyeurism continues the long Western tradition that gives primacy to the sense of vision , it is important to demystify this primacy and instead to emphasize the ...
Inhalt
Total Duplicity of this War | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York