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Seite 97
It's a matter of recreating stage by stage - writing , shooting , montage — the film that I've already seen in my head . And there are very few things that can change , some details , but the composition doesn't change ...
It's a matter of recreating stage by stage - writing , shooting , montage — the film that I've already seen in my head . And there are very few things that can change , some details , but the composition doesn't change ...
Seite 68
... not precisely something that hides , rather something that lets itself be seen without presenting itself to be seen , which has gone out of the room before leaving only its trace visible there ” ( The Imaginary Signifier 63 ) .
... not precisely something that hides , rather something that lets itself be seen without presenting itself to be seen , which has gone out of the room before leaving only its trace visible there ” ( The Imaginary Signifier 63 ) .
Seite 111
They can both be seen towards the end of their film amongst the pilots . Cooper is quoted as saying : “ Let's kill the son - of - a - bitch ourselves ” ( Haver 108 , similarly Goldner 173 ) . This film expedition of Denham's starts out ...
They can both be seen towards the end of their film amongst the pilots . Cooper is quoted as saying : “ Let's kill the son - of - a - bitch ourselves ” ( Haver 108 , similarly Goldner 173 ) . This film expedition of Denham's starts out ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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