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Seite 87
In a quick pre - shot to the scene , a paunchy white man bursts two balloons to the supposed amusement of his stock , white female companions : " What a way to start the day , huh ? One barrel , two kill !
In a quick pre - shot to the scene , a paunchy white man bursts two balloons to the supposed amusement of his stock , white female companions : " What a way to start the day , huh ? One barrel , two kill !
Seite 59
One scene in The Practice of Love is particularly evocative of such desire to explode classical , limited concepts of time , space , subjectivity , and reality . This segment of the film shows Alfons and Judith as they each separately ...
One scene in The Practice of Love is particularly evocative of such desire to explode classical , limited concepts of time , space , subjectivity , and reality . This segment of the film shows Alfons and Judith as they each separately ...
Seite 68
10 The analysis of this scene provides an interesting contrast to Chris- tian Metz's theory of the cinematic apparatus . The evasive / elusive forms Judith and Alfons's images take through their continually altering posi- tions and ...
10 The analysis of this scene provides an interesting contrast to Chris- tian Metz's theory of the cinematic apparatus . The evasive / elusive forms Judith and Alfons's images take through their continually altering posi- tions and ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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