Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 91
... rhythms and forms of black vernacular speech and music . Like jazz and blues , the Afro - Cuban son is African - based music ; " son " means " sound , " " sones " — " sounds " is how the popular Afro- Cuban dance songs were called , but ...
... rhythms and forms of black vernacular speech and music . Like jazz and blues , the Afro - Cuban son is African - based music ; " son " means " sound , " " sones " — " sounds " is how the popular Afro- Cuban dance songs were called , but ...
Seite 92
... rhythms of the Afro - Cuban son , the authentic music of the black masses , central to his po- etry , as Hughes ... rhythmic repetition of a phrase , “ negro bembón , " a phrase that would become the refrain ( estribillo ) and title of ...
... rhythms of the Afro - Cuban son , the authentic music of the black masses , central to his po- etry , as Hughes ... rhythmic repetition of a phrase , “ negro bembón , " a phrase that would become the refrain ( estribillo ) and title of ...
Seite 109
... rhythms to capture the moods and features of the black Havana poor . To Langston , Urrutia identified the verse ( which ... rhythm , is divided into two parts : the motivo or letra sung by the sonero , the principal voice , sometimes in ...
... rhythms to capture the moods and features of the black Havana poor . To Langston , Urrutia identified the verse ( which ... rhythm , is divided into two parts : the motivo or letra sung by the sonero , the principal voice , sometimes in ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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