Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 13
... reference to L. Visconti's film The Damned , " everything signifies fascination , terror , and ec- stasy " ( Friedländer 44 ) . Geoffrey Hartman found visual images of the Holocaust more ethically problematic than literary represen ...
... reference to L. Visconti's film The Damned , " everything signifies fascination , terror , and ec- stasy " ( Friedländer 44 ) . Geoffrey Hartman found visual images of the Holocaust more ethically problematic than literary represen ...
Seite 14
... reference to Claude Lanzmann's film Shoah . Throughout its nine - and - a - half hours , Shoah stays resolutely in the present . Although its numerous interviews focus on the camps and the process of extermination , the film avoids ...
... reference to Claude Lanzmann's film Shoah . Throughout its nine - and - a - half hours , Shoah stays resolutely in the present . Although its numerous interviews focus on the camps and the process of extermination , the film avoids ...
Seite 59
... reference to Louganis's homosexuality in a passage that compared him to Carl Lewis : Carl Lewis is a beautiful ... references to the beauty of Louganis's body . In this , it followed the predominant impulse of sports to exercise the ...
... reference to Louganis's homosexuality in a passage that compared him to Carl Lewis : Carl Lewis is a beautiful ... references to the beauty of Louganis's body . In this , it followed the predominant impulse of sports to exercise the ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York