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Seite 13
Saul Friedländer's analysis of representations of Nazism , liter- ary and cinematic , has exposed their exploitation of the fascination for death . " For the viewer , " he writes , in reference to L. Visconti's film The Damned ...
Saul Friedländer's analysis of representations of Nazism , liter- ary and cinematic , has exposed their exploitation of the fascination for death . " For the viewer , " he writes , in reference to L. Visconti's film The Damned ...
Seite 14
It most often comes up in reference to Claude Lanzmann's film Shoah . Throughout its nine - and - a - half hours , Shoah stays resolutely in the present . Although its numerous interviews focus on the camps and the process of ...
It most often comes up in reference to Claude Lanzmann's film Shoah . Throughout its nine - and - a - half hours , Shoah stays resolutely in the present . Although its numerous interviews focus on the camps and the process of ...
Seite 59
... hinted that Louganis and Babbit might be lovers in referring to the fact that they lived together in his Malibu condominium and went on to make a nearly direct reference to Louganis's homosexuality in a passage that compared him to ...
... hinted that Louganis and Babbit might be lovers in referring to the fact that they lived together in his Malibu condominium and went on to make a nearly direct reference to Louganis's homosexuality in a passage that compared him to ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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