Im Buch
Ergebnisse 1-3 von 47
Seite 37
Like Alton Maddox , C. Vernon Mason is portrayed as a racial crusader , but one with political aspirations and a need for media attention . Outrage notes that Mason came from a civil rights back- ground , and that the clients in his ...
Like Alton Maddox , C. Vernon Mason is portrayed as a racial crusader , but one with political aspirations and a need for media attention . Outrage notes that Mason came from a civil rights back- ground , and that the clients in his ...
Seite 100
portrayed a cross - racial Cuban arts form , a performance that forges the mulatto nation in its melting pot : those dancers who do have not dark skin become darker “ inside . " The drum , formerly forbidden on Cuban plantations by ...
portrayed a cross - racial Cuban arts form , a performance that forges the mulatto nation in its melting pot : those dancers who do have not dark skin become darker “ inside . " The drum , formerly forbidden on Cuban plantations by ...
Seite 103
As mentioned earlier , white creole Cubans and Afro - Cubans had fought side by side in the struggle against Spain , and José Martí , the leader of the independence movement , was a militant anti - racist . Nevertheless , racial ...
As mentioned earlier , white creole Cubans and Afro - Cubans had fought side by side in the struggle against Spain , and José Martí , the leader of the independence movement , was a militant anti - racist . Nevertheless , racial ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
10 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film Guillén hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look means memory Michigan movement narrative notes object once original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship represent representation scene Second seems seen sense sequence sexual shot side social space Spanish story Studies suggests suture theory things thought tion touch translation turn understand University visual voice woman writes York