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Seite 107
It is strange that a film that was so expensive in its production and demanding in its presentation had a subject like that of King Kong . The film is a curiosity in both the history of production and in the genre itself .
It is strange that a film that was so expensive in its production and demanding in its presentation had a subject like that of King Kong . The film is a curiosity in both the history of production and in the genre itself .
Seite 112
... first half of the twentieth century , including Hollywood despite its " Fordist principles " of mass production and division of labor , benefited from the tradition of production as craft that remained from the nineteenth century .
... first half of the twentieth century , including Hollywood despite its " Fordist principles " of mass production and division of labor , benefited from the tradition of production as craft that remained from the nineteenth century .
Seite 30
If my point of reference and theoretical anchor is a certain Latin American tradition of critical thought and the Latino / as experience and intellectual production in the U.S. , I connected this with North Africa , Sub - Saharan Africa ...
If my point of reference and theoretical anchor is a certain Latin American tradition of critical thought and the Latino / as experience and intellectual production in the U.S. , I connected this with North Africa , Sub - Saharan Africa ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film Guillén hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look means memory Michigan movement narrative notes object once original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship represent representation scene Second seems seen sense sequence sexual shot side social space Spanish story Studies suggests suture theory things thought tion touch translation turn understand University visual voice woman writes York
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22 Discourse: Berkeley journal for theoretical studies in media and culture, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 2000 |
| Zitat exportieren | BiBTeX EndNote RefMan |