Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 79
... primary perspective , located in Max , the analyst , whose comments frame the film . McGe- hee and Siegel also employ black and white film and a wide screen format to achieve unreal space and a kind of “ formalism , " which the ...
... primary perspective , located in Max , the analyst , whose comments frame the film . McGe- hee and Siegel also employ black and white film and a wide screen format to achieve unreal space and a kind of “ formalism , " which the ...
Seite 35
... primary mode of signification is about stillness and death . The cinematic image , by contrast , signifies life and motion . Anna's running in circles could thus be interpreted as a valiant attempt to bring the people back to life , to ...
... primary mode of signification is about stillness and death . The cinematic image , by contrast , signifies life and motion . Anna's running in circles could thus be interpreted as a valiant attempt to bring the people back to life , to ...
Seite 47
... primary , providing sustenance to the second , while the latter appears as derived from the first , inferior to it , completely dependent on it for its being . The political effects of this rhetoric have not been insignifi- cant . It ...
... primary , providing sustenance to the second , while the latter appears as derived from the first , inferior to it , completely dependent on it for its being . The political effects of this rhetoric have not been insignifi- cant . It ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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