Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 17
... possessed minimal understanding and even less interest in religious practice . But they did know secular discourses about art . Historically , the interpretation of the ban on images familiar to most theorists of art , was not Jewish at ...
... possessed minimal understanding and even less interest in religious practice . But they did know secular discourses about art . Historically , the interpretation of the ban on images familiar to most theorists of art , was not Jewish at ...
Seite 50
... possessing sexually dif- ferentiated contours and organs . As the street noises accompanying the former interview shift to the film's sinuous jazzy instrumental score , the body images we see are neither recognizable 50 Discourse 22.2.
... possessing sexually dif- ferentiated contours and organs . As the street noises accompanying the former interview shift to the film's sinuous jazzy instrumental score , the body images we see are neither recognizable 50 Discourse 22.2.
Seite 96
... possessed of a tightly crafted , scholarly cohesion ? What indeed , as Plato noted , " can philosophers say to us ? " How are they to somehow implicate both their own bodies and those of the spectators into the extended consequences of ...
... possessed of a tightly crafted , scholarly cohesion ? What indeed , as Plato noted , " can philosophers say to us ? " How are they to somehow implicate both their own bodies and those of the spectators into the extended consequences of ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York