Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 91
... poetic forms and traditions . As José Piedra argues in his comparative discussion of African American blues poetry and the Afro Cuban son poetry , " drum poetry " is black poetry inspired by the rhythms and forms of black vernacular ...
... poetic forms and traditions . As José Piedra argues in his comparative discussion of African American blues poetry and the Afro Cuban son poetry , " drum poetry " is black poetry inspired by the rhythms and forms of black vernacular ...
Seite 101
... poetry as an anti - colonial strategy . On the other hand , Cuba Libre mutes the unique circumstances of Cuba that allow a black writer like Guillén to blend ... poetry about blacks , or poetry that celebrates black culture as Fall 2000 101.
... poetry as an anti - colonial strategy . On the other hand , Cuba Libre mutes the unique circumstances of Cuba that allow a black writer like Guillén to blend ... poetry about blacks , or poetry that celebrates black culture as Fall 2000 101.
Seite 108
... Poetry ] ) made identical claims about a fundamental differ- ence that black vernacular expression makes : both point out that for blacks in the Americas , the use of black vernacular rhythms and speech is a question of ontology ...
... Poetry ] ) made identical claims about a fundamental differ- ence that black vernacular expression makes : both point out that for blacks in the Americas , the use of black vernacular rhythms and speech is a question of ontology ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York