Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 77
... plays camp Freud to the max . They discuss Clay's dreams , which reveal flashes of his former life , girlfriend , and ... Played by Mel Harris ( from Thirty Something ) , Renee helps reconstruct Clay's features as those of Vincent . She ...
... plays camp Freud to the max . They discuss Clay's dreams , which reveal flashes of his former life , girlfriend , and ... Played by Mel Harris ( from Thirty Something ) , Renee helps reconstruct Clay's features as those of Vincent . She ...
Seite 79
... played by Dina Merrill ) and Max first break the news of the police's suspicion to him . Time and again , the film subtly reveals how wax - like and mutable subjects are to prior expectations and fore - given knowledge . The film thus ...
... played by Dina Merrill ) and Max first break the news of the police's suspicion to him . Time and again , the film subtly reveals how wax - like and mutable subjects are to prior expectations and fore - given knowledge . The film thus ...
Seite 35
... played the postcolonial to the extent that he deferred to Scott's plot forms , but he played the imperialist to the extent that his own narratives reflected and perpetuated the romance of American expansionism " ( Buell , " American ...
... played the postcolonial to the extent that he deferred to Scott's plot forms , but he played the imperialist to the extent that his own narratives reflected and perpetuated the romance of American expansionism " ( Buell , " American ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York