Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 97
... play themselves ( leur propre rôle ) ? Pelechian : Yes . There is no need to make them play anything else . The important thing is to create the situation , and that they find themselves incorporated into it naturally . . . . Niney : In ...
... play themselves ( leur propre rôle ) ? Pelechian : Yes . There is no need to make them play anything else . The important thing is to create the situation , and that they find themselves incorporated into it naturally . . . . Niney : In ...
Seite 101
... play chess . I teach them the rules of the cinema galaxy , how to move in it . Later , it's up to them to play the parts for themselves . When we go our separate ways , they perceive very quickly that it's easier for them to manufacture ...
... play chess . I teach them the rules of the cinema galaxy , how to move in it . Later , it's up to them to play the parts for themselves . When we go our separate ways , they perceive very quickly that it's easier for them to manufacture ...
Seite 19
... play of forces between the market , the state , the civil society and the political ( subaltern ) society . Delgado and Romero : What are the implications of linking lan- guage not to territory but to the body ? Mignolo : This question ...
... play of forces between the market , the state , the civil society and the political ( subaltern ) society . Delgado and Romero : What are the implications of linking lan- guage not to territory but to the body ? Mignolo : This question ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York