Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 13
... photographic body . Not only are the black and white bodily parts more hyperbolically visual than the colored , they are more profoundly photographic . At the moment that they were photographed , they were already a photograph . As I ...
... photographic body . Not only are the black and white bodily parts more hyperbolically visual than the colored , they are more profoundly photographic . At the moment that they were photographed , they were already a photograph . As I ...
Seite 30
... photographic work could at times be described as a game of Fort - Da with her Hyksos adver- saries . As the film progresses , Anna is confronted with increasingly stubborn and aggressive photographic subjects - with objects which ...
... photographic work could at times be described as a game of Fort - Da with her Hyksos adver- saries . As the film progresses , Anna is confronted with increasingly stubborn and aggressive photographic subjects - with objects which ...
Seite 31
... photographic eye is , for the most part , a futile one , and that it gives rise to a variety of retaliations from the field of vision . When Anna at one point complains that her work is getting darker and uglier , she means not only ...
... photographic eye is , for the most part , a futile one , and that it gives rise to a variety of retaliations from the field of vision . When Anna at one point complains that her work is getting darker and uglier , she means not only ...
Inhalt
Total Duplicity of this War | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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