Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 32
... period . All of a sudden sixteenth century Mexico and twentieth century California were next to each other , in the same picture . At that moment , The Darker Side of the Renaissance began to take shape . Chapter two was the first ...
... period . All of a sudden sixteenth century Mexico and twentieth century California were next to each other , in the same picture . At that moment , The Darker Side of the Renaissance began to take shape . Chapter two was the first ...
Seite 37
... period be- fore the Civil War . It begs the question , for example , to what extent the official abolition of the transatlantic slave trade in 1807 was a lonely act of political good will in view of the fact that the illegal trade to ...
... period be- fore the Civil War . It begs the question , for example , to what extent the official abolition of the transatlantic slave trade in 1807 was a lonely act of political good will in view of the fact that the illegal trade to ...
Seite 104
... period and dedicates his poetry to universal Cuban themes . As Antonio Benítez - Rojo puts it , " with the triumph of the revolution in 1959 , Guillén's poetry enters a new period ; that is , he abandons the discourse of resistance ...
... period and dedicates his poetry to universal Cuban themes . As Antonio Benítez - Rojo puts it , " with the triumph of the revolution in 1959 , Guillén's poetry enters a new period ; that is , he abandons the discourse of resistance ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York