Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 82
... opens with the scene of violence to which the filmic narrative will lead , charting the tale on a path of memory and return . And visually , circles haunt the film . Vincent Tower's new house is oddly circular ; Clay loses a circular ...
... opens with the scene of violence to which the filmic narrative will lead , charting the tale on a path of memory and return . And visually , circles haunt the film . Vincent Tower's new house is oddly circular ; Clay loses a circular ...
Seite 104
... opens on Christmas Eve with a story that holds its audience breathless . There is a pause and finally someone says that it " was the only case he had met , in which such a visitation had fallen on a child . " The storyteller replies to ...
... opens on Christmas Eve with a story that holds its audience breathless . There is a pause and finally someone says that it " was the only case he had met , in which such a visitation had fallen on a child . " The storyteller replies to ...
Seite 25
... opens with a lengthy tracking shot that begins in an apartment building bedroom where a woman named Anna lies asleep . In this shot , the camera backs slowly through the bedroom window and retreats outward to pan across a Vienna ...
... opens with a lengthy tracking shot that begins in an apartment building bedroom where a woman named Anna lies asleep . In this shot , the camera backs slowly through the bedroom window and retreats outward to pan across a Vienna ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York