Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 76
... object . Subjectivity , in the age of the world picture , is an act of abjection , whereby the subject reaffirms his / her mastery over the object by this very separation . That which is , is no longer that which presents ; it is rather ...
... object . Subjectivity , in the age of the world picture , is an act of abjection , whereby the subject reaffirms his / her mastery over the object by this very separation . That which is , is no longer that which presents ; it is rather ...
Seite 79
... object , Export's feminist materialism begins from a position of subject / object interpenetration , of the body both in space and as space . Export's 1968 " expanded cinema " work Tapp und Tastkino ( Touch Cinema ) 6 substituted a ...
... object , Export's feminist materialism begins from a position of subject / object interpenetration , of the body both in space and as space . Export's 1968 " expanded cinema " work Tapp und Tastkino ( Touch Cinema ) 6 substituted a ...
Seite 88
... object is imparted to epistemology . Though they cannot be thought away , as separated , the pseudos of the separation is manifested in their being mutually mediated — the object by the subject , and even more , in different ways , the ...
... object is imparted to epistemology . Though they cannot be thought away , as separated , the pseudos of the separation is manifested in their being mutually mediated — the object by the subject , and even more , in different ways , the ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York