Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 62
... normal society . He was also configured as an abject personality and a body that , if scanned properly , could reveal its earliest predilection towards gayness and AIDS . Consequently , the pictures of him dressed in sequins and dancing ...
... normal society . He was also configured as an abject personality and a body that , if scanned properly , could reveal its earliest predilection towards gayness and AIDS . Consequently , the pictures of him dressed in sequins and dancing ...
Seite 98
... normal , useful to humanity . All I can say is that the pathologist was mistaken . Niney : Are the pathologists in question still in office ? Pelechian : They change because time has gotten the better of them . Niney : Your last film ...
... normal , useful to humanity . All I can say is that the pathologist was mistaken . Niney : Are the pathologists in question still in office ? Pelechian : They change because time has gotten the better of them . Niney : Your last film ...
Seite 15
... normal feature , for instance , of cinematic spectatorship . It is in no way pathological . The distance separating Wallon's infant patients from the mir- ror does not mean that they have no libidinal relation to it . On the contrary ...
... normal feature , for instance , of cinematic spectatorship . It is in no way pathological . The distance separating Wallon's infant patients from the mir- ror does not mean that they have no libidinal relation to it . On the contrary ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York