Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 101
... move in it . Later , it's up to them to play the parts for themselves . When we go our separate ways , they perceive very quickly that it's easier for them to manufacture guns . than films ! Cazals and Daniélou : What are the conditions ...
... move in it . Later , it's up to them to play the parts for themselves . When we go our separate ways , they perceive very quickly that it's easier for them to manufacture guns . than films ! Cazals and Daniélou : What are the conditions ...
Seite 81
... move which is necessary precisely because one can never know in advance where that threat will come from . Export ... moves . In this work , Export affixes two 8mm cameras to her body , one facing forward , the other behind . As Export ...
... move which is necessary precisely because one can never know in advance where that threat will come from . Export ... moves . In this work , Export affixes two 8mm cameras to her body , one facing forward , the other behind . As Export ...
Seite 8
... move faster and , like in the sixteenth century , in one direc- tion . The force with which Inca's and Aymara's ... moves along the diversity of the historical process 8 Discourse 22.3.
... move faster and , like in the sixteenth century , in one direc- tion . The force with which Inca's and Aymara's ... moves along the diversity of the historical process 8 Discourse 22.3.
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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