Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 92
... Montage that destroys montage . Montage to absent images . Many people erroneously think that my films are montage films . This is not true . My films are not montage films . Up until now , in world cinema , montage has been considered ...
... Montage that destroys montage . Montage to absent images . Many people erroneously think that my films are montage films . This is not true . My films are not montage films . Up until now , in world cinema , montage has been considered ...
Seite 95
... montage at a distance . Niney : Can you explain your theory of montage at a distance , which is based , not on the bringing together of shots , but on the gap between them ? Pelechian : The originality of this theory lies perhaps in ...
... montage at a distance . Niney : Can you explain your theory of montage at a distance , which is based , not on the bringing together of shots , but on the gap between them ? Pelechian : The originality of this theory lies perhaps in ...
Seite 96
... montage with images that don't exist . This is just what I try to do in the architecture of my films : make visible ... montage at a distance . Niney : In your cinematic montages , the notions of beginning and end of shot , of ...
... montage with images that don't exist . This is just what I try to do in the architecture of my films : make visible ... montage at a distance . Niney : In your cinematic montages , the notions of beginning and end of shot , of ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York