Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 92
... meaning , I don't try to bring them together , to confront them , but to create a distance between them . And I call this montage a montage at a distance . At base this is a dismantling ( démontage ) , or a montage that demolishes ...
... meaning , I don't try to bring them together , to confront them , but to create a distance between them . And I call this montage a montage at a distance . At base this is a dismantling ( démontage ) , or a montage that demolishes ...
Seite 95
... meaning — mon- tage at a distance , in keeping apart two shots that speak to each other and have meaning , transmits their tension and makes them speak to each other across the whole chain of shots that links them . For example ...
... meaning — mon- tage at a distance , in keeping apart two shots that speak to each other and have meaning , transmits their tension and makes them speak to each other across the whole chain of shots that links them . For example ...
Seite 30
... meaning is apt to characterize the discourse of the World Bank and the IMF , that is , the new forms of global coloniality . The second set of meaning characterizes the critical responses to coloniality from the perspective of different ...
... meaning is apt to characterize the discourse of the World Bank and the IMF , that is , the new forms of global coloniality . The second set of meaning characterizes the critical responses to coloniality from the perspective of different ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York