Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 61
... masculine body enters into an experience of citizenry in the frame of nationhood only if it is made to relate a pathologised set of narratives . The crack of Louganis's skull on the diving board represented , in 1988 , a potent locus of ...
... masculine body enters into an experience of citizenry in the frame of nationhood only if it is made to relate a pathologised set of narratives . The crack of Louganis's skull on the diving board represented , in 1988 , a potent locus of ...
Seite 62
... masculine control can she hope to be " seen " and respectfully considered by the male - dominated institutions she has to grapple with as a professional . On the other hand , her efforts to be visible and present may not be altogether ...
... masculine control can she hope to be " seen " and respectfully considered by the male - dominated institutions she has to grapple with as a professional . On the other hand , her efforts to be visible and present may not be altogether ...
Seite 76
... masculine culture " ( " The Real " 24 ) . And , as argued by Export above , women are structurally barred from participation in such truth claims , because such truth claims are philosophically aligned with the immaterial , the ...
... masculine culture " ( " The Real " 24 ) . And , as argued by Export above , women are structurally barred from participation in such truth claims , because such truth claims are philosophically aligned with the immaterial , the ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York