Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 10
... machine to embrace and absorb the spectator .... I think that in my cinema the spectator can never forget himself , so he cannot be in a relation of idolatry . ( Bouquet 44 ) Akerman's interpretation of idolatry synthesizes Levinas's ...
... machine to embrace and absorb the spectator .... I think that in my cinema the spectator can never forget himself , so he cannot be in a relation of idolatry . ( Bouquet 44 ) Akerman's interpretation of idolatry synthesizes Levinas's ...
Seite 80
... machine at work . This is what McGehee and Siegel achieve in Suture . They posit the colorblind suture , but trouble that utopian view with insistence on the visual . They pull the spectator into a sympathetic identification with Clay ...
... machine at work . This is what McGehee and Siegel achieve in Suture . They posit the colorblind suture , but trouble that utopian view with insistence on the visual . They pull the spectator into a sympathetic identification with Clay ...
Seite 105
... machine guns . More and more seriously injured , he carefully lays the woman on a ledge and , taking several more bullets , he crashes into the depths . Denham pushes through the crowd surrounding the dead Kong . A police officer says ...
... machine guns . More and more seriously injured , he carefully lays the woman on a ledge and , taking several more bullets , he crashes into the depths . Denham pushes through the crowd surrounding the dead Kong . A police officer says ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York