Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 19
... light contact between Jewish and Christian art , show- ing where each participated in the other , blurring the boundaries between them ( Kaufmann , “ Sens ” 252-53 ) . Through the mid - twentieth century , the discourse on Jewish art in ...
... light contact between Jewish and Christian art , show- ing where each participated in the other , blurring the boundaries between them ( Kaufmann , “ Sens ” 252-53 ) . Through the mid - twentieth century , the discourse on Jewish art in ...
Seite 42
... light against the black background of night , then disappears entirely . Throughout the next portion of the shot , the frame is for the most part darkened , except for a few dots of light : we know , however , that the camera is ...
... light against the black background of night , then disappears entirely . Throughout the next portion of the shot , the frame is for the most part darkened , except for a few dots of light : we know , however , that the camera is ...
Seite 96
... light flow onto and over the richly costumed philosopher while the cry of a cockatoo cuts into the ordered oration . The silhouetted musician aggressively strokes his samisen , singing lines from the cave myth of Plato's Republic , " We ...
... light flow onto and over the richly costumed philosopher while the cry of a cockatoo cuts into the ordered oration . The silhouetted musician aggressively strokes his samisen , singing lines from the cave myth of Plato's Republic , " We ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York