Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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... Letter ) , made in 1984 ( Margulies 166-170 ) . But the Commandment against graven images does not straightforwardly aim at any and all image - making . The injunctions against idolatry that precede and follow it show that its true ...
... Letter ) , made in 1984 ( Margulies 166-170 ) . But the Commandment against graven images does not straightforwardly aim at any and all image - making . The injunctions against idolatry that precede and follow it show that its true ...
Seite 21
... letters float in mid - air , forming into different words or turning into numbers as the viewer moves . The fluid boundaries between numbers and letters recall cabalistic meditations on the numerical value of the words of the bible ...
... letters float in mid - air , forming into different words or turning into numbers as the viewer moves . The fluid boundaries between numbers and letters recall cabalistic meditations on the numerical value of the words of the bible ...
Seite 98
... letters for blacks . Rather ( rejecting the " road to Harlem " ) , Guillén's ро- etry , culled from Havana's black urban subculture , seeks entry into the walled precinct of Cuba's lettered urban culture . Literacy is enfranchisement ...
... letters for blacks . Rather ( rejecting the " road to Harlem " ) , Guillén's ро- etry , culled from Havana's black urban subculture , seeks entry into the walled precinct of Cuba's lettered urban culture . Literacy is enfranchisement ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York