Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 20
... leave the district of security . To burn the dryness of the vagina . To pursue the harshness of power . To deprive the animal of its fight . Words tear at the shores of my mouth . The desire of my mouth bursts at the cliff of its ...
... leave the district of security . To burn the dryness of the vagina . To pursue the harshness of power . To deprive the animal of its fight . Words tear at the shores of my mouth . The desire of my mouth bursts at the cliff of its ...
Seite 68
... leaving only its trace visible there " ( The Imaginary Signifier 63 ) . For all its suggestive resonances with the ... leaves the room / frame - the real object — and that which is left in the room / frame as a delegate / surrogate of ...
... leaving only its trace visible there " ( The Imaginary Signifier 63 ) . For all its suggestive resonances with the ... leaves the room / frame - the real object — and that which is left in the room / frame as a delegate / surrogate of ...
Seite 89
... leave the cen- tral subject lost , adrift in space and time ; " I have settled on the image of ships in motion across the spaces between Europe , America , Africa , and the Caribbean ... ships immediately focus attention on the middle ...
... leave the cen- tral subject lost , adrift in space and time ; " I have settled on the image of ships in motion across the spaces between Europe , America , Africa , and the Caribbean ... ships immediately focus attention on the middle ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York