Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 83
... kind three shotgun blasts that kill Vincent and destroy his face . These parallels set up an Oedipal reading of race , where Clay kills the benefactor , who alternates gifts with brutality . The film thus tugs at what might be the ...
... kind three shotgun blasts that kill Vincent and destroy his face . These parallels set up an Oedipal reading of race , where Clay kills the benefactor , who alternates gifts with brutality . The film thus tugs at what might be the ...
Seite 36
... kind of uneven devel- opment in the psyche , analogous to the historical variety , in which long - past regimes of thought persist in the unconscious anticipating the opportunity to be reconfirmed . Yet these ostensibly surmounted ...
... kind of uneven devel- opment in the psyche , analogous to the historical variety , in which long - past regimes of thought persist in the unconscious anticipating the opportunity to be reconfirmed . Yet these ostensibly surmounted ...
Seite 3
... kind of smooth space across which subjectivities glide without substantial resistance or conflict . The second moment of imperial control , its differential mo- ment , involves the affirmation of differences accepted within the imperial ...
... kind of smooth space across which subjectivities glide without substantial resistance or conflict . The second moment of imperial control , its differential mo- ment , involves the affirmation of differences accepted within the imperial ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York