Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 82
... kill him . In a scene shown initially at the film's opening , we see Clay hiding in the shower , bracing a shotgun nervously forward . He hears Vincent shoot into the bed three times , the same number of shots that killed his father ...
... kill him . In a scene shown initially at the film's opening , we see Clay hiding in the shower , bracing a shotgun nervously forward . He hears Vincent shoot into the bed three times , the same number of shots that killed his father ...
Seite 114
... killed them all . Or a condition ended : the monster interested in humans con- quers those that remained distant to ... killing her . The story , and not only that of this film , never divulges what happened between him and the woman ...
... killed them all . Or a condition ended : the monster interested in humans con- quers those that remained distant to ... killing her . The story , and not only that of this film , never divulges what happened between him and the woman ...
Seite 95
... Killing a Snake " ] [ from Songoro cosongo , Obra poética 131-32 ] the son- refrain can also take the form of so called jitanjáfora , purely rhythmic sound - phrases mimicking Africanisms and drum - language without any direct meaning ...
... Killing a Snake " ] [ from Songoro cosongo , Obra poética 131-32 ] the son- refrain can also take the form of so called jitanjáfora , purely rhythmic sound - phrases mimicking Africanisms and drum - language without any direct meaning ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York