Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 91
... jazz and blues , the Afro - Cuban son is African - based music ; " son " means " sound , " " sones " — " sounds " is how the popular Afro- Cuban dance songs were called , but " son " also has a double meaning referring to identity ...
... jazz and blues , the Afro - Cuban son is African - based music ; " son " means " sound , " " sones " — " sounds " is how the popular Afro- Cuban dance songs were called , but " son " also has a double meaning referring to identity ...
Seite 92
... jazz . This idea startled Guillén ” ( Rampersad , vol.1 : 179 ) . Rampersad's ends his account of the first Hughes - Guillén encounter establishing Hughes as Guillén's teacher . 3 Whether or not Guillén's debt to Hughes is as large as ...
... jazz . This idea startled Guillén ” ( Rampersad , vol.1 : 179 ) . Rampersad's ends his account of the first Hughes - Guillén encounter establishing Hughes as Guillén's teacher . 3 Whether or not Guillén's debt to Hughes is as large as ...
Seite 108
... jazz , blues and other black musical forms and the black artist is an existential one , rather than an arbitrary aesthetic choice . In " Cuba , negros , poesía " [ Cuba , Blacks , Poetry ] ( Prosa de prisa , vol . 1 : 94 , 101 ) ...
... jazz , blues and other black musical forms and the black artist is an existential one , rather than an arbitrary aesthetic choice . In " Cuba , negros , poesía " [ Cuba , Blacks , Poetry ] ( Prosa de prisa , vol . 1 : 94 , 101 ) ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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