Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 92
... interests me , that for me , the principal and essential accent of the work of montage is not collage , but rather decollage ( décollage ) ; not “ junction , " but " disjunction . " For me , the most interesting thing doesn't begin at ...
... interests me , that for me , the principal and essential accent of the work of montage is not collage , but rather decollage ( décollage ) ; not “ junction , " but " disjunction . " For me , the most interesting thing doesn't begin at ...
Seite 100
... interests me or if it's necessary to reverse or slow down a shot , I don't hesitate to retouch it with special effects . Cazals and Daniélou : The use of black and white is also a constant of your work , and the role of music is ...
... interests me or if it's necessary to reverse or slow down a shot , I don't hesitate to retouch it with special effects . Cazals and Daniélou : The use of black and white is also a constant of your work , and the role of music is ...
Seite 136
... interests include the performative , representa- tional , and historical dynamics of class , gender , and ethnicity in film and theater . Ruth Winters is a freelance translator with an M.A. in Foreign Language and Literature who lives ...
... interests include the performative , representa- tional , and historical dynamics of class , gender , and ethnicity in film and theater . Ruth Winters is a freelance translator with an M.A. in Foreign Language and Literature who lives ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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