Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 76
... identity determination , and physiognomy's visually - based characterology is presented as another . McGehee and Siegel pro- ceed to tease their viewing audience with several approaches to identity that hinge on flesh / mind , visible ...
... identity determination , and physiognomy's visually - based characterology is presented as another . McGehee and Siegel pro- ceed to tease their viewing audience with several approaches to identity that hinge on flesh / mind , visible ...
Seite 85
... identity operating under a critical erasure ? Max adheres to a notion of memory chains anchored in Clay's body , at this point . Per the film's Lacanian reference to “ su- ture , " a very different model of identity emerges , one Clay ...
... identity operating under a critical erasure ? Max adheres to a notion of memory chains anchored in Clay's body , at this point . Per the film's Lacanian reference to “ su- ture , " a very different model of identity emerges , one Clay ...
Seite 107
... identity ; the theme of The Fly is otherness . While in the first , horror is the ambiguity of identity : " Have you talked to him ? " Miles asks a patient . " It's him , it's your uncle Ira . " " He is not . " " How's he different ...
... identity ; the theme of The Fly is otherness . While in the first , horror is the ambiguity of identity : " Have you talked to him ? " Miles asks a patient . " It's him , it's your uncle Ira . " " He is not . " " How's he different ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York